News Letter

Archived Newsletters

NOVEMBER 2009

   Fall Playwrights' Festival  Editor's Notes   Frrom the President  From Karen Billard 
  Chairman's Report   Winter Playwrights' Series   Announcements   Board of Directors
HAPPY THANKSGIVING!


Two FABULOUS weekends of theater!
The Provincetown Theater Company presents 6 fully produced short plays on one ticket,
and 5 individually staged readings of full length plays, all eleven written and performed by local artists.
Weekends November 7th through the 15th.

     The winning playwrights in the Fall Playwrights’ Festival of the Provincetown Theater cordially invite you to view their work, beginning Saturday, November 7th, when the Festival will kick off at 2 pm with a full-length reading of Priscilla Sample’s play: Feel the Bend. Sample’s play explores the love/relationship between a woman and her two lovers, Betti and Jon. In an interesting subplot, she discovers her memories are held in her hair.

     On Saturday evening, November 7th at 7:30 pm will be the first performance of six short plays: REUNION by E. Thomas Finan, MAMA'S BOY by Jeannette Angell, NOVEMBER by James McLindon, FORGET ME NOT by Myra Slotnick, JOCK ITCH by George Sauer, and BEACH ENCOUNTERS by Robert Seaver.

     Other performances of these six plays will be held at 2 pm on Sunday, November 8th and Friday and Saturday, November 13th and 14th at 7:30 pm. Tickets are $15.00 (which includes a $3.50 service charge).

     On Sunday, November 8th, at 4 pm following the short plays, there will be a Playwrights’ Lab, that will be open to the public, with an opportunity to discuss the plays with the playwrights. Then, on Sunday evening, November 8th, beginning at 7:30 pm, two original one-act plays will be read: DANCING WITH THE DEVIL by Jim Lucason, and PORTRAITURE by Margaret Van Sant. The first play takes place in Ireland in 1896 and includes a contest of wits between two sisters and the Devil who has come to collect his due. The second play is a dialogue between Gertrude Stein, Alice B. Toklas, Mabel Dodge and a young journalist as they step out of their portraits in the Reading Room of the Beinecke Library at Yale.

     On Saturday, November 14th at 2 pm the full-length play readings will continue with FIRST DANCE by Jerry Thompson (a love story between a college girl and a Marine, and the many complications that arise from their choices) and finally, on Sunday, November 15th, the last full-length reading will be FLAT DADDY'S HOME by Candace Perry (What’s been happening at home as a father and husband is serving in the National Guard while family grapples with day to day life.) All readings will be $5.00 at the door. Purchase by phone: 508 487-9793 or at the Theater Box Office 238 Bradford Street, Provincetown or go to the website:
www.provincetowntheater.org

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Tim McCarthy, President:Polyester
Hello Owner/Members,

Well, the last few weeks have been quite a time for us at the theater. You came out in force for the Annual meeting and dropped to a trickle the next week. Why? It is your right to complain all right, but you need to back up your rights with the responsibility of participation. Do you think it is fair for you to come in and complain once a year without being there on a regular basis to ensure things go the way you want?

This weekend we are showing John Waters’ “Polyester.” We have signed DVD Boxed sets to be raffled off to movie ticket holders as a first prize. The second prize is an unsigned boxed DVD set with a signed photo of John. Third prize is an unsigned Boxed set of DVDs. We have these prizes for both Friday and Saturday.

And Thirsty Burlington is doing make-up beforehand. So please come have a spooky and smelly time, all benefiting the theater.

 

Thanks, Tim

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Karen Billard, President Elect

The year ahead promises to be both exciting and challenging as we move towards our goals of moving back into production through development of new works; building collaborative relationships locally, Cape-wide and beyond; broadening our sources of funding and revenue; and facilitating and encouraging community involvement.

These goals are in keeping with the purposes of the Provincetown Theater Foundation as stated in the by-laws:

  a. Foster all phases of the professional and non-professional performing arts within Provincetown and the Outer  Cape community;

  b. Produce established works;

  c. Produce and develop new works;

  d. Provide training and foster creativity through classes, internships, workshops and seminars;

  e. Operate and maintain the Provincetown Theater

The board of directors has worked hard over the last few years to bring the Theater back to financial health through focusing on the income stream brought by outside rentals.  Continuing to bring in other organizations to rent the facility will help meet not only our financial goals, but also our goal to ‘foster all phases of performing arts’  We will continue to seek to provide space for excellent  and varied programming, such as the Truro Center for the Arts at Castle Hill’s Dance Festival.

In order to achieve these goals we need you to be involved.   Choose one of the seven committees formed at the last board meeting to serve on,  or send us an email telling us how you would like to be involved at the theater. 

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Chairman’s Report- November 2009 – Brian O’Malley
The past month was a time for reviewing the strengths of our extended theater community, and the direction the PTF should be taking to meet their needs.

At the Annual Membership meeting on October 14, a large turnout made for some very good discussion. Karen Billard of Falmouth, the Board’s choice, was elected President for 2010, after Tom Boland, who had been nominated from the floor, declined. But not until he had given an elegant stump speech, and responded thoughtfully to the questions from the floor directed at each candidate. Karen, with an excellent background in not-for-profit arts organizations and an art business, will take office in with an excellent background in not-for-profit arts organizations and an art business, will take office in January. 

The lengthy planned conversation that followed the legally required business, was an opportunity for many to express their appreciation for what has been accomplished at the theater in the last few years, and their concerns that recent changes with the departure of Counter Productions would imperil those developments. The Board responded with a preliminary vision of how we expect to meet next year’s budget, as we substantially build the ability of the PTC to produce far more of the season than we have in these past two years.

The areas in which the membership felt more effort should be focused were the program area, essentially the Artistic Director function, in order to more clearly define our “artistic vision”; the rental function, to improve our interface with tenants and potential renters; and the governance and bylaws under which the PTF operates. Members were invited to continue their support by working on one of the board committees, and even seeking election to the board.

(One very significant outcome of this large meeting was the chance to gather contact information, which allows us to include you in the workings of the Provincetown Theater. In fact, many of you are receiving this email newsletter for the first time because of this.)

The Board, after reviewing carefully the very detailed notes of the dialogue that were compiled by board member Judith Partelow of Harwich, responded with a reorganization plan adopted at their meeting a week later. We established seven standing committees to oversee the varied aspects of the full organization; these committees will each have at least one or two Board members, with the others coming from the membership. The role of these committees will be to recommend policy and advice for the Board in their respective areas.

The committees approved, and a brief note on their role, are these:

    • Finance – “the bottom line”
    • Program – “the Artistic Director”
    • Rental – earned income; rentals and concessions
    • Development – contributed income; fundraising and grants
    • PT (or Building) – caring for the Theater building itself
    • Community Outreach – education, volunteers, and linkages
    • Governance/ Bylaws – how we represent our community

 

We need your help to keep this theater running. One of the principal reasons that we have been able to stay within budget, and show a positive operating balance these past two years, is the large contribution of volunteer effort on the part of the Board members and others. More hands will make not only lighter work, but will ensure that the theater will continue to function to our satisfaction, and to meet the needs of this community.

So please, consider where your talent and interest could be best invested, and volunteer to work on one of these committees. They will be free to set their own means of functioning; whether in person and/or by email, so no meeting schedule is required. Just your energy!

The surest way to have an influence on what happens at the Provincetown Theater, is to be a part of it. Please join us!  

ANNOUNCEMENTS

 Bob Seaver, Winter Playwrights’ Series:

The call for submissions for new works written by playwrights anywhere in Massachusetts has been extended to October 30th (that’s right – it’s just before Halloween!). 

The guidelines are:

1.   Only works that have not been produced previously are eligible.

2.    Plays selected for readings will be eligible for further workshops or full production as part of a future season.

3.   For each selected work, the playwright   must be available to work with the director and cast during reading rehearsals.

4.    All works must be submitted in digital format.

5.   The Theater Company will do its best to recruit a director for each work, but playwrights are free to recruit their own. 

6.   The director must be available for casting auditions.

 

Provincetown actor and vocalist Adam Berry has volunteered to chair the selection committee, which will be made up of anyone who replies with a "yes" to this invitation.   Email submissions to  operations@provincetowntheater.com Include Winter Reading Series Submission in the subject line. Call 508-487-7487 to volunteer for the selection committee. (If you have already submitted for this series, don’t bother to resubmit.)

PLANS ARE UNDERWAY FOR A HOLIDAY PRESENTATION! We will send out a special announcement regarding audition dates and times --- but November 21, 22 and 23 are very good bets! Be sure to read all the news you receive by email from Provincetown Theater! Auditions will also be scheduled for the Winter Reading Series in the very near future. Stay tuned.

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FROM THE EDITOR:  Judith Partelow  -- Continuing with the theme Allen Gallant set in last month’s article about the origin of “Break a Leg,” this month – since we’re getting this out very close to Halloween – I thought I’d throw in a couple of other superstitions. (See his article about “whistling in the theater” following this.) I won’t steal Allen’s thunder about other superstitions he will want to write about, especially because we’re opening our Fall Playwrights’ Festival next week! But here are two more:

Theatre Superstitions
(from Backstage Articles, Vol. 1, 2004-2005) There are lists of things that are prohibited when you are in a theater, things you must not do, otherwise the performance will go terribly wrong. But some theatre folks believe it is bad luck to speak the last line of the play before opening night, because the play isn't "finished" until performed.  Well. . . .  Given the number of tech cues associated with that last line--lights, sound, curtain--plus somewhat frenzied blocking to get everyone offstage and in position for the curtain call, isn't it awfully risky not to rehearse it?  Another one: A black cat usually is considered bad luck.  Not in theatre, however, according to some theatre practitioners.  They think a black cat brings good luck.  Why?   There are some stories, perhaps true, of actors who had a "black cat experience" right before going on stage and gave a show-stopping, better-than-ever performance.  Therefore, of course, the black cat made that great show happen.   (Hey, no one expects theatre folks to be logical!)  Some actors even bring a black cat backstage. (Louis E. Catron, Theatrical Superstitions and Saints) So wish all your actor friends to “have a black cat experience”!

WHISTLING IN THE THEATER CAN KILL!

  by Allen Gallant, Board Member, Provincetown Theater   

 

Yesireebob ......whistling in the theater is considered bad luck....not to mention ill-mannered, and once upon a time, "Life Threatening."  This superstition is derived from the days before the invention of back stage headsets. Commonly called Clear-com, the most used communication system, keeps the Stage Manager in touch with the technicians back stage to call cues for scenery movement, light and sound changes. The most dangerous of these changes was the movement of scenery up and down into the "fly space" above the stage. Technicians (fly men) who controlled the fly space with hand controlled ropes, communicated across stage with a series of whistles. Not audible to the audience, but to the actors and crew...it was a cue that scenery was being moved up or down from the fly space. Needless to say, a whistle on stage could result in a  piece of scenery being dropped on your head! Next time you are in the theater, remember that whistling is not only hazardous to your health; it is also considered bad luck....duh!

 

Next month.....a bit of history about Bacchus or Dionysus....the God of Theatre, wine, grapes, ritual madness, and ecstasy! And the statue is naked!!

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The Provincetown Theater Foundation Board Members:ptownlogo.jpg (31402 bytes)

Tim McCarthy,  President

Brian O’Malley, Chairman of the Board

Joy McNulty, Vice President and Treasurer

Karen Billard, Grants and Website Coordinator

Robert Cardinal, Special Events

Luceil Carroll, Special Events

Allen Gallant, Sound Engineer

Robert Seaver, Program Committee

Sewall Whittemore, Building Committee

Candace Perry, Playwrights’ Lab Liaison

Judith Partelow, Newsletter Editor

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Many thanks to Pearlene for helping to deliver the finished newsletter to you at the beginning of each month, and for the tireless efforts of Patrick Lamerson, our excellent theater office assistant!

“A high station in life is earned by the gallantry with which appalling experiences are survived with grace.”
                                              
Tennessee Williams

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